Saturday, 4 July 2020

One Should Grasp the Main Video Signal Transmission

Video Signal Transmission


source: shopdelta.eu

Wireless-camera or Cable camera connections are two of the most used means for transmission to the viewer of the images that are captured by the Surveillance Camera. Before selecting anyone of them, one should grasp the main Video Signal.


The video signal
one area of video is being created by the Convention and sweep exactly 312 1/2 times and this reproduced on the monitor. A second scan of 312 lines 2.1 is accurately half a line down and interlaced with the first cycle to form an image of 625 lines. This is called a 2:1 interlaced image. Line 625 is known as a video frame consists of two interlace fields. Stress is a tension in the bottom of the sync pulse above the target, resulting in a peak to peak (p/p). The luminance (brightness) component of the signal is 0.3 volts to one volt, is 0.7 volts maximum. This is known as a composite video signal, since the timing information and video are combined into a single signal.

Synchronizing
the video signal from a TV camera has to provide a variety of information at the monitor for a correct TV picture to be displayed. This information can be divided into: Synchronizing pulses to tell the monitor when to start a line and a frame; video information that tells the monitor how bright a exacting point in the picture should be; chrominance that tells the monitor what colors a particular part of the picture should be (color cameras only).

Bandwidth
Composite video output media CCTV camera to cover the range of bandwidth from five Hz to several MHz, the higher frequency is mainly determined by the resolution of the camera, and if black and white or color. For every 100 lines, with a bandwidth of about one MHz is required. Therefore, the 600 lines of the resolution camera to trace a video signal with a bandwidth of approximately 6MHz, this principle applies in both color and black and white cameras. However, color cameras are also to produce a color signal (chrominance) and output in black and white (luminance). Chrome signal is modulated carrier wave is a 4. 43MHz PAL because of the color signal, regardless of the definition of bandwidth is less than 5MHz.

Wireless camera Vs Cable camera

The important challenge, for any transmission method, is to be able to pass on the video signal with high fidelity, with minimum disturbance caused by surrounding interferences, from the source, either a Wireless-camera or a Cable camera, to the end user.

The ability to send video signals over a physical distance to the display of the instruments used to view is done in different ways, depending on transmission method selected.

Given the wide range of transmission technologies, we must examine the features and benefits of different kinds to decide in each particular case, which is best suited to perform the function required for successful monitoring and minimum cost.

Several methods exist for transmitting video coaxial cable, telephone line, cable CAT5 (Category 5) cable with adapters, fiber optic, microwave and radio frequency. Due to the needs of specific applications can be found in complex equipment, many video transmission technologies used in the same system of closed circuit television.

Cable Transmission (Cable camera)

All cables, no matter what their length or quality, produce problems when used for the transmission of video signals, the main problem being related to the wide bandwidth requirements of a video signal. All cables produce a loss of signal that is dependent primarily on the frequency, the higher the frequency, the higher the loss. This means that as a video signal travels along a cable it loses its high frequency components faster than its low frequency components. The result of this is a loss of the fine detail (definition) in the picture.

The human eye is very tolerant of errors of this type; a significant loss of detail is generally not objectionable, unless the loss is great. It is fortunate, since the loss of high frequency components is very high on the types of cables used in CCTV systems. For example, using the common coaxial cables URM70 or RG59, 50% of signal lost at 5 MHz to 200 meters of cable. To compensate for these losses, various amplifiers used. These provide the ability to selectively amplify high frequency components of the video signal to compensate for cable losses.

Cable Types

There are two main types of cable used for transmitting video signals, which are: Unbalanced (coaxial) and balanced (twisted pair). The construction of each is shown in diagrams 2 and 3. An unbalanced signal is one in which the signal level is a voltage referenced to ground. For instance a video signal from the camera is between 0.3 and 1.0 volts above zero (ground level). The shield is the ground level.
A balanced signal is a video signal that has been converted for transmission along a medium other than coaxial cable. Here the signal voltage is the difference between the voltages in each conductor.

External interference is taken by all types of cable. The rejection of this interference occurs in different ways. The coaxial cable is based on the central conductor, which, although considered by the outer copper. There are several types of coaxial cable and care must be taken to choose one with a braid of 95%. In the case of a twisted pair cable, interference picked up by the two leaders in the same direction on an equal footing. The video signal moves in the opposite direction to the two leaders. The operation can then be balanced by using the right type of amplifier. This can only react to the signal difference between the two leaders and is known as a differential amplifier.

Unbalanced (Coaxial) Cables

This type of cable is made in many different types of impedance. In this case impedance is measured between the inner conductor and the outer sheath. 75 Ohm impedance cable is the standard used in CCTV systems. Most video equipment is designed to operate at this impedance. Coaxial cables with an impedance of 75 Ohms are available in many different mechanical formats; including single wire armoured and irradiated PVC sheathed cable for direct burial, the cables available range in performance from relatively poor to excellent. Performance is normally measured in high frequency loss per 100 meters, the lower this loss figure, the less the distortion to the video signal. Therefore, higher quality cables should be used when transmitting the signal over long distances.

Another factor that should be considered carefully when selecting coaxial cables is the quality of the cable screen. This, as its name suggests, provides protection from interference for the centre core, as once interference enters the cable it is almost impossible to remove.

Balanced (Twisted Pair) Cables

In each pair of twisted pair is twisted with a twist slowly around one to two turns per meter. These cables are manufactured in different types of impedance from 100 to 150 ohms being the most common. Balanced cables have been used for many years in the largest cable networks in the world. When circumstances require, these benefits have on the coaxial cables of similar size. Twisted pair cables are often used where there would be an unacceptable loss due to a long series of coaxial cable.

The main advantages are:

1) The ability to reject unwanted interference.
2) Lower losses at high frequencies per unit length.
3) Smaller size.
4) Availability of multi-pair cables.
5) Lower cost.

Interests must be taken into account in relation to the price of the equipment of this type of transmission. Launch amplifier to convert the video signal is required for the camera and to reconstruct the control signal amplifier at the end of equalization.

Wireless Transmission (Wireless-camera)

To prevent the coaxial cables, if it is not practical for a monitoring solution of some houses, we can use two linked devices: a video transmitter and a receiver both established in the same preselected frequency and use of directional antennas a better connection. A video transmitter is included in the corresponding camera video wireless receiver purchased separately or part of the orchestra. The video signal from the wireless camera is sent by radio to the common frequency for the receiver that is connected by means of other elements of a surveillance system.

Radio Frequency (RF) is a reliable though short distance video transmission technology. It is regulated by national authority. For limited power dedicated installations, no special authorizations are required. For longer range and best reception unobstructed line of sight should be preferred, although normal walls are not an obstacle.

The main advantage of a wireless camera is that none of the coaxial cables should be installed so that less work is involved. It's easy and convenient way to move items to a new location, where appropriate. It is similar in principle to the mobile phone (with the exception of the directional antenna). Another advantage may be important when tracking objects of great value, is that the recording device is out of sight, hidden somewhere difficult for intruders to locate and destroy.

But wireless camera to be operated, continuous stream, usually by wire from a supply low voltage adapter (transformer) plugged into a standard wall outlet located somewhere near the camera location. (The solution of the battery is not recommended because of the short time between battery changes). Using a wireless camera is becoming increasingly popular where wiring methods are either impossible or difficult, and has been used successfully to reduce cabling costs even within large buildings. Environmental conditions in the region may affect its performance.

If more than one wireless camera is required, the amount of spectrum available limits the number of wireless cameras that can be deployed. If there are only four different frequencies can be used so that only four cameras can be installed on a given site.

The three different radio frequencies most used are:

•    2.4 GHz (Giga Hertz or 109 cycles per second) or
•    1.2 GHz or
•    900 MHz (Mega Hertz or 106 cycles per second)

Within each one of them a few different channels may be provided to avoid interference with other devices present nearby using the same frequency.

Radio signals can be disrupted by interference, nor inevitable (from competing devices at the same frequency) or it is generated in order to disrupt or interfere with the continuous monitoring of activities. It should be noted that the transmission path may be offensive: if this is a real risk, appropriate measures be taken to protect the integrity of the transmission. Although it could not cover the use of home monitoring, it is noted that the communication wireless camera can be subject to interception. To sum up, the Wireless-camera can be used almost anywhere, but the most common are discreet surveillance or baby sitter hidden cameras, door control and so on.

The choice of means of transmission depends on factors like distance, obstacles, environment in-house design, and cost, besides the option of mobility in the future must be considered. In addition, nearly all modes of transmission suffer from various forms of interference or loss to be minimized by good design.

However, for simple home surveillance purposes, the practical choice is probably limited to either coaxial Cable or Wireless-camera (radio) transmission. Finally, we recommendations wireless solution for a simple surveillance case, and to wired solutions for all the other cases.


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Wednesday, 24 June 2020

Install a Digital CCTV System

Setting up a well - designed CCTV system


Digital CCTV, or Digital Closed Circuit Television, is technology used in modern surveillance systems. Traditional, VCR, CCTV pictures are sent by the surveillance cameras in a closed area, e.g. a CCTV Monitor. This type of CCTV may induce low-resolution images and is represented by cable networks in the workplace. Modern digital video surveillance systems can be operated remotely using a mobile phone or PC, can monitor various locations and can be controlled from anywhere there is the internet or GPRS access.

The camera system is based on digital technology and use of surveillance cameras installed in hardware, in particular, for carrying out the necessary functions and storage on magnetic disks. It contains special software, so that the monitoring program. Programming is performed manually operated remote the control, the type used on a standard VCR. The images are digitized before being recorded. Device-based camera systems include the Digital Video Recorder (DVR) that stores digital images on the hard disk. Watch is an analog monitor. It will play DVR recordings to convert back to an analog signal to the monitor. Internet access is possible.

If you are not so nice to beat the PC programming, the system proposed by the second camera (hardware-based Digital Technology), although less versatile than the PC can still enjoy a high quality digital video and Internet connections. Please note that the next expansion may be limited or even impossible, without major additions.

There are two types of Digital Surveillance Systems:

Digital Video Recorders

CCTV Digital Video Recorders (DVR) are separate devices that can store digital CCTV images to the computer, it was similar to the standard Video Cassette Recorders (VCR's). CCTV cameras attached to the rear via the standard CCTV camera link called BNC. Link CCTV monitor or standard TV for the DVR to watch CCTV cameras in different screen divisions (single camera, 2x2, 3x3, etc.) and also archive playback of a button. Some DVRs can be built in Motion Detection Technology. This means that digital footage is only recorded when someone or something passes in front of the CCTV camera. It is also possible with some DVR cameras view remotely via an ADSL (Asymmetric Digital Subscriber Line).

PC Based Digital Video Surveillance Capture Cards

PC based digital CCTV surveillance is a reasonable new technology in the CCTV industry. This type works in two stages; you can then install the card and digital television surveillance software on your PC. This software (or program) will allow you to display your digital photos CCTV Cameras, search through previously recorded footage, backup images on CD / DVD, PTZ cameras, either on the PC system or remotely and much more. Cameras attached to the back of the PCI card with GeoVision BNC connection used in all standard CCTV cameras. GeoVision surveillance cards come in many different formats depending.

1) The amount of cameras required (2-16)
2) The Frame Rate per Second (FPS) Quality required (16 FPS - 400 FPS)

Frame Rate is important, as the higher the Frame Rate, the top the quality of recording and the more real Times your CCTV recording will be. Real Time recording for one camera is 25 Frames per Second (PAL). In order to capture 16 cameras in Real Time, you would need: 25 FPS x 16 Cameras = 400 Frames per Second PCI Surveillance Card


How to Install a Digital CCTV System

By http://www.ehow.com/cameras/

When finished with this article you will have a solid idea of how to install and program a digital and/or analog CCTV system for your home. I'm writing this article with a eight camera system in mind, obviously you can adjust according to your specific needs. I've included a list of recommended brands/models for a mid-high range set up.

The first step in setting up a well-designed CCTV system is to figure out where you will view your footage. You have a few options here. You could use your television as a monitor, or you could set up totally separate LCD monitors for reviewing footage. I prefer to set up a safe guarded, separate system for recording and viewing. You will plug your 24 Volt AC power supply in at the back-end as well, so make sure you have room for the DVR, power supply box and a LCD monitor. Now depending on your space and situation, you could mount your power supply to the wall; just make sure it's within 2-3 feet from your DVR. Once you have a safe place picked out for your back-end, you need to decide where your cameras will be mounted. When scouting for the best possible camera location keep these things in mind. Make sure to cover all entrances into your home, this includes garage doors and basement entrances. Another idea to keep in mind is possible vandals; be sure to place your cameras out of the reach of A-holes. Mark each camera location with a permanent magic marker, a small "X" will suffice.
Now it's time to run our 18-2 power and our RG59 coax. Only you can decide what route is best in your particular situation, for example. If you have an attic that is easily accessible, run your cable through there. If you have a basement then runs your cables below the floor. The attic option is far more efficient and makes drilling holes through exterior walls much easier. When running your cable always start at the back end of the system, that way everything ends up in the same place. To begin with, pull out about 2 feet of each cable, power and coax, and tape the first 4-6 inches of each together with electrical tape. Furthermore, label this set of cables according to the camera coverage with a permanent marker, do this for every run you make. This will help you a great deal in the future when retracing cables for maintenance issues. Run the cables to your first camera location, marked with an "X". Once you have reached it's time to drill a hole large enough for the cables to poke through the wall, use a 1/2 inch or smaller drill bit. Pull about 10-14 inches of extra cable out through your newly made whole and go back to your back end. Once you’re back at the spools of cable, pull another 2 feet of extra cable, making sure you can reach your power supply and DVR with the leftover length, and cut them off. Making sure to label this end of the cable is extremely important as well. Now you have your first set of cables in place and labeled. Go ahead and run the remaining seven sets of cable. ENJOY!

Once you've finally finished running all of your cable, I know it was brutal; it's time to mount the camera enclosures. Go to each camera location and mount your enclosures accordingly, Making sure to leave enough room for the left-right, up-down movement. I thoroughly recommend drilling pilot holes when mounting your enclosure arm, especially on hard surfaces. Once you have the enclosure mounted to an exterior wall, away from any possible vandals, feed the cables through the appropriate holes in the back of the enclosure. Continue and mount the rest of the enclosures.

1. Time to prep our Samsung SDC-415 cameras. Pull a camera out of the box and grab yourself a Tamron 3.5-8mm lens too. Pop the protective covers off both the camera and the lens, and screw the two together. Wrap the lens cable loosely around the lens and plug into the back of the camera. Go ahead and do the same to the other seven cameras, now your cameras are nearly prepped. Turn the camera so the back is facing you. Make sure the "Lens" switch is pushed to "video" and not "DC". Again, finish the other seven cameras and take a break. The rest of this installed will require patience.

2. it’s time to mount the cameras in the enclosures. Take your camera/lens setup to your first location. Slide out the camera rig and mount the bottom of the camera to the slide via the screw included in the enclosure packaging. Slide the camera back into the enclosure. Now, while you’re at the first camera, let's add the ends to our cables. Primary, peel or cut the electrical tape away from the two cables. Take your power cable and split about 4 inches of it down the middle. Now you just have to strip back each wire approximately a 1/2 an inch. Take your hot power wire and slide it into the (+) lead on the back of your camera, using a macro screwdriver to fasten it in place. Do the same for the ground wire? Once your power cable is finished, move on to the coax. This will require patience in order to get it right, and you’re going to need your crimp-on BNC connector and your pair of BNC crimps. Take the barrel piece of your BNC connector and slide it on to the cable, wide side at the top. Take your wire cutters and cut back about 3/4 inch of the outer casing, leaving only the center copper wire and protector. Then use your wire cutters to cut back about 1/2 an inch of the copper wire casing, leaving the bare copper wire, snip the copper wire at an angle and slide your BNC over the exposed copper. Then it's as easy and pulling the barrel up the RG59 cable, over the end of the BNC connector and use your crimps to crimp it together. Do not connect this to the camera just yet.

*If you’re having a hard time making a good connection or just can't get the hang of making a BNC end, check the video link at the bottom of the post*
You know the drill, go ahead and mount the other seven cameras. Make sure to connect power and add you BNC end at each stop.

3. Let's go to the back-end of the system. Take the DVR out of its packaging and position it where it belongs in your git-up. This step is very repetitive, but absolutely necessary. It's time to add our BNC connectors to all eight coax cables. Then it's time to splice our power wire and feed it into the power supply. When you're connecting your power wire, make sure to keep (+) and ground wires uniform with their corresponding camera. Obviously, make sure your power supply isn't actually plugged in.

4. Time to focus our cameras. Let's make sure our power is all connected both at the back-end and the camera. Go ahead and plug your power supply into the wall. Grab a left over piece of RG59, 3-6 feet will do, and throw BNC ends on both sides. This handy little cable will plug into our GV-LCD3 Color LCD Portable Monitor and then into the back of our cameras, so we can focus them. So, BNC cable plugged into the top of the portable monitor and into the back of our first camera, using the tiny thumb screws on the lens, begin to focus the camera to your liking. If it looks at a little dark, go ahead and adjust the (BLC or Back Light Compensation) on the back of the camera. When focusing the camera is patient, it takes time to get it perfect. Once you have it ideal tighten the thumb screws carefully and pop the BNC cable off the back of your camera. Set your portable monitor down for a second and plug your designated BNC connector into the camera. Close and lock the enclose, making sure any excess wire is either zip ties to the frame or tucked away in the wall. One camera finished seven more to go. Remember, this is critical in protecting your home and valuables, so really take your time and get a perfect picture.

5. So, you have eight cameras mounted, powered, focused and connected. You have 8 BNC connectors and a DVR at the back-end waiting to be attended to. Plug your BNC cables into the back of the DVR, starting at one ending at eight. Then take an added piece of coaxial cable and throw BNC ends on it. Make sure this extra piece of cable is long enough to go from the DVR to the LCD monitor your plan on using for viewing footage. Once that cable is made, plug one end into the "out" on the DVR. The other end needs our BNC-to-RCA adapter, and then plugs the RCA into your LCD monitor. Plug your DVR and LCD monitor into the wall and power both up.

You nearly finished. It's only a matter of minutes before you see what real work you've accomplished. Your DVR will probably prompt you for a few general settings like, when to record, time zone, etc., etc... Most of the DVR's a pretty straight-forward, so this is quite easy. That's it. Make sure your LCD monitor is tuned to the proper AV channel.

Voila! A total sense of accomplishment, security and safety
Well worth the cash, sweat and sheer agony of running wire you invested!

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